364 bars at 170 BPM -- fast, and 7:32 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
kick and crashes through bar 1, hi-hat through bars 2-53, silence through bars 54-60, ride through bars 61-108, hi-hat through bars 109-196 and ride through bars 197-213, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 35-38, 41-44 and 47-50, and 2 more places -- 24.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
110
1e+a2e+a3e+a
HH |o---o---o---|
SD |--------x---|
BD |x-----x---x-|6 fills to learn, played 21 times: bars 40, 46, 52, 212, 252, 272 and 15 more.
It cuts the song into 26 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
170 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
364 bars, about 7:32 at the written tempo. The course breaks it into 26 exercises over 7 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 21 times: bars 40, 46, 52, 212, 252, 272 and 15 more.