192 bars of 4/4 at 145 BPM, about 5:18 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-4, snare through bars 5-6, hi-hat through bars 7-21, ride through bars 22-24, hi-hat through bars 25-30 and ride through bars 31-45, and 19 more changes after that.
The beat the song is built on is one bar, played through bars 7-20, 56-61 and 64-78 -- 21.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7
1e+a2e+a3e+a4e+a
HH |x---x---x---x---|
SD |--------r-------|
BD |x---------------|14 fills to learn, played 18 times: bars 21, 33, 47, 55, 62, 79 and 12 more.
It cuts the song into 58 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
145 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 15 out of 100; the rest of the number is everything around it.
192 bars, about 5:18 at the written tempo. The course breaks it into 58 exercises over 13 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 18 times: bars 21, 33, 47, 55, 62, 79 and 12 more.