98 bars at 200 BPM -- fast, and 1:58 of it without a break -- on crash, snare, mid tom, floor tom, kick and hi-hat foot.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
snare through bars 1-3, toms through bars 4-8, snare through bars 9-14, silence through bars 15-19, kick and crashes through bars 20-27 and snare through bars 28-98.
The beat the song is built on is one bar, played through bars 46-60 and 78-96 -- 37% of every bar the kit plays. Learn that one and most of the song is already under your hands.
46
1e+a2e+a3e+a4e+a
CC |x-x-x-x-x-x-x-x-|
SD |x---x---x---x---|
BD |--x---x---x---x-|3 fills to learn, played 3 times: bars 61, 77 and 97.
It cuts the song into 24 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
200 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
98 bars, about 1:58 at the written tempo. The course breaks it into 24 exercises over 6 sittings, about 27 minutes each.
crash, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 3 times: bars 61, 77 and 97.