213 bars of 4/4 at 120 BPM, about 7:06 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
37 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-8, toms through bars 9-25, silence through bars 26-32, toms through bars 33-49, silence through bars 50-61 and toms through bars 62-76, and 7 more changes after that.
The beat the song is built on is one bar, played through bars 82, 84-86 and 88, and 17 more places -- 16.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
82
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |----o---o---o---|
SD |--------x-------|
BD |x---x---------x-|3 fills to learn, played 7 times: bars 137, 138, 139, 140, 141, 145 and 1 more.
It cuts the song into 38 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
37 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 23 out of 100; the rest of the number is everything around it.
213 bars, about 7:06 at the written tempo. The course breaks it into 38 exercises over 11 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 7 times: bars 137, 138, 139, 140, 141, 145 and 1 more.