139 bars of 4/4 at 114 BPM, about 4:53 of playing, on crash, hi-hat, snare, floor tom, kick and hi-hat foot.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 2-38, snare through bars 39-42, hi-hat through bars 43-74, snare through bars 75-78, hi-hat through bars 79-126 and snare through bars 127-139.
The beat the song is built on is one bar, played through bars 3-9, 31-41 and 67-77, and 3 more places -- 45.7% of every bar the kit plays. Learn that one and most of the song is already under your hands.
3
1e+a2e+a3e+a4e+a
CC |X---------------|
HH |----o---o---o---|
SD |----x--x-x--x---|
BD |x--x----x-xx--x-|5 fills to learn, played 14 times: bars 2, 30, 42, 43, 44, 45 and 8 more.
It cuts the song into 18 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
114 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
139 bars, about 4:53 at the written tempo. The course breaks it into 18 exercises over 5 sittings, about 29 minutes each.
crash, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 14 times: bars 2, 30, 42, 43, 44, 45 and 8 more.