115 bars of 4/4 at a walking 94 BPM, 4:52 of playing, on crash, hi-hat, snare, kick and hi-hat foot.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-6, snare through bars 7-9 and hi-hat through bars 10-115.
The beat the song is built on is a 2-bar phrase, played through bars 11-23, 25-39 and 41-43, and 5 more places -- 65.1% of every bar the kit plays. Learn that one and the song is very nearly finished.
11 12
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x---------------|----------------|
HH |----x---x---x---|x---x---x---o---|
SD |----x-------x---|----x-------x---|
BD |x-------x-------|x-----x---x--x--|
HF |x---------------|----------------|4 fills to learn, played 8 times: bars 7, 8, 9, 10, 48, 73 and 2 more.
It cuts the song into 21 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
94 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
115 bars, about 4:52 at the written tempo. The course breaks it into 21 exercises over 6 sittings, about 26 minutes each.
crash, hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.
4 fills to learn, played 8 times: bars 7, 8, 9, 10, 48, 73 and 2 more.