77 bars of 4/4 at a walking 106 BPM, 2:53 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
78 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-4 and hi-hat through bars 5-77.
The beat the song is built on is a 2-bar phrase, played through bars 9-10, 13-15 and 21-23, and 5 more places -- 27.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9 10
1...........2...........3...........4........... 1...........2...........3...........4...........
HH |x-----x-----x-----x-----x-----x-----x-----x-----|x-----x-----x-----x-----x-----x-----x---o-------|
SD |------------x-----------------------x-----------|------------x-----------------------x-----------|
BD |x-----x---x-------x---x-x-----x---x-------x---x-|x-----x---x-------x---x-x-----x---x-----x-------|4 fills to learn, played 5 times: bars 28, 50, 53, 54 and 68.
It cuts the song into 31 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
106 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
78 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 70 out of 100; the rest of the number is everything around it.
77 bars, about 2:53 at the written tempo. The course breaks it into 31 exercises over 13 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 5 times: bars 28, 50, 53, 54 and 68.