90 bars of 4/4 at 146 BPM, about 2:28 of playing, on crash, hi-hat, snare and kick.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
snare through bars 3-12, hi-hat through bars 13-40, silence through bars 41-42, snare through bars 43-57, kick and crashes through bars 58-60 and silence through bars 61-66, and 1 more change after that.
The beat the song is built on is one bar, played through bars 49-57 -- 11.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
49
1e+a2e+a3e+a4e+a
SD |----x-------x---|
BD |x-----x---x--x--|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 37 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
146 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 24 out of 100; the rest of the number is everything around it.
90 bars, about 2:28 at the written tempo. The course breaks it into 37 exercises over 12 sittings, about 26 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.