131 bars of 4/4 at 127 BPM, about 4:01 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
34 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-4, toms through bars 5-6, silence through bars 7-9, kick and crashes through bars 10-13, toms through bars 14-19 and kick and crashes through bars 20-25, and 9 more changes after that.
The beat the song is built on is one bar, played through bars 56-74 -- 15.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
56
1e+a2e+a3e+a4e+a
SD |x-x-x-x-x-x-xxxx|10 fills to learn, played 14 times: bars 16, 81, 84, 86, 92, 94 and 8 more.
It cuts the song into 46 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
127 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
34 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 0 out of 100; the rest of the number is everything around it.
131 bars, about 4:01 at the written tempo. The course breaks it into 46 exercises over 11 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 14 times: bars 16, 81, 84, 86, 92, 94 and 8 more.