124 bars of 4/4 at 125 BPM, about 3:55 of playing, on crash, hi-hat, snare and kick.
77 out of 100: demanding, mostly on how many notes a second it asks for.
hi-hat through bars 1-44, snare through bars 45-48, hi-hat through bars 49-72, snare through bars 73-76, hi-hat through bars 77-100 and snare through bars 101-108, and 1 more change after that.
The beat the song is built on is one bar, played through bars 1-11, 13-19 and 21-27, and 9 more places -- 58.1% of every bar the kit plays. Learn that one and most of the song is already under your hands.
1
1e+a2e+a3e+a4e+a
CC |------xx-x------|
HH |xgxgxgxgxgxgxgxg|
SD |----x-------x---|
BD |x-------x-----x-|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 18 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
77 out of 100: demanding, mostly on how many notes a second it asks for. The beat itself is 74 out of 100; the rest of the number is everything around it.
124 bars, about 3:55 at the written tempo. The course breaks it into 18 exercises over 8 sittings, about 22 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.