110 bars of 4/4 at 128 BPM, about 3:26 of playing, on crash, hi-hat, snare, mid tom, kick and hi-hat foot.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-4, kick and crashes through bars 5-15, hi-hat through bars 16-37, silence through bars 38-41, kick and crashes through bars 42-49 and hi-hat through bars 50-75, and 5 more changes after that.
The beat the song is built on is one bar, played through bars 21-35, 61-65 and 96-110 -- 36.8% of every bar the kit plays. Learn that one and most of the song is already under your hands.
26
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x-x-----x-x-----|1 fill to learn, played 1 time: bar 58.
It cuts the song into 26 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
128 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 34 out of 100; the rest of the number is everything around it.
110 bars, about 3:26 at the written tempo. The course breaks it into 26 exercises over 9 sittings, about 21 minutes each.
crash, hi-hat, snare, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
1 fill to learn, played 1 time: bar 58.