89 bars of 4/4 at 113 BPM, about 3:09 of playing, on hi-hat, snare, floor tom and kick.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-5, hi-hat through bars 6-25, kick and crashes through bars 26-33 and hi-hat through bars 34-89.
The beat the song is built on is one bar, played through bars 10-17, 34-40 and 42-64 -- 45.2% of every bar the kit plays. Learn that one and most of the song is already under your hands.
10
1e+a2e+a3e+a4e+a
HH |x-xxx-xxx-xxx-xx|
SD |----x-------x---|
BD |x---x---x---x---|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 20 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
113 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 57 out of 100; the rest of the number is everything around it.
89 bars, about 3:09 at the written tempo. The course breaks it into 20 exercises over 7 sittings, about 23 minutes each.
hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.