105 bars of 4/4 at 120 BPM, about 3:30 of playing, on crash, ride, hi-hat, snare and kick.
41 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
hi-hat through bars 1-5, snare through bars 6-17, hi-hat through bars 18-25, snare through bars 26-38, hi-hat through bars 39-46 and snare through bars 47-55, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 18-25, 39-46 and 56-62 -- 21.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |--o---o---o---o-|
SD |----x-------x---|
BD |x---x---x---x---|5 fills to learn, played 9 times: bars 13, 17, 38, 63, 67, 83 and 3 more.
It cuts the song into 20 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
41 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 39 out of 100; the rest of the number is everything around it.
105 bars, about 3:30 at the written tempo. The course breaks it into 20 exercises over 5 sittings, about 27 minutes each.
crash, ride, hi-hat, snare and kick. Nothing in the part asks for anything else.
5 fills to learn, played 9 times: bars 13, 17, 38, 63, 67, 83 and 3 more.