117 bars of 4/4 at a walking 108 BPM, 4:20 of playing, on snare, mid tom, floor tom and kick.
26 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-16, toms through bars 17-65, silence through bars 66-69, toms through bars 70-77, silence through bars 78-85 and toms through bars 86-117.
The beat the song is built on is one bar, played through bars 17-33, 42-57 and 70-77, and 1 more place -- 82% of every bar the kit plays. Learn that one and the song is very nearly finished.
17
1e+a2e+a3e+a4e+a
FT |----x-------x---|
BD |x-xxx-x-x-xxx-x-|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 11 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
108 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
26 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 17 out of 100; the rest of the number is everything around it.
117 bars, about 4:20 at the written tempo. The course breaks it into 11 exercises over 4 sittings, about 22 minutes each.
snare, mid tom, floor tom and kick. Nothing in the part asks for anything else.