178 bars at 175 BPM -- fast, and 4:04 of it without a break -- on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-4, hi-hat through bars 5-9, snare through bars 10-12, silence through bars 13-16, snare through bars 17-18 and hi-hat through bars 19-33, and 12 more changes after that.
The beat the song is built on is one bar, played through bars 37, 39-41 and 45, and 9 more places -- 14.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
37
1e+a2e+a3e+a4e+a
RD |x---x---x---x---|
HH |--o---o---o---o-|
SD |----x-------x---|
BD |--x---x---x-----|10 fills to learn, played 53 times: bars 5, 6, 7, 8, 9, 19 and 47 more.
It cuts the song into 48 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
175 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 59 out of 100; the rest of the number is everything around it.
178 bars, about 4:04 at the written tempo. The course breaks it into 48 exercises over 16 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 53 times: bars 5, 6, 7, 8, 9, 19 and 47 more.