226 bars at 160 BPM -- fast, and 5:39 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
toms through bar 1, hi-hat through bars 2-17, ride through bars 18-21, hi-hat through bars 22-37, ride through bars 38-42 and silence through bars 43-49, and 12 more changes after that.
The beat the song is built on is one bar, played through bars 51, 53-55 and 57, and 19 more places -- 21.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
57
1.....2.....3.....4.....
CC |X-----X-----X-----------|
HH |------------------o-----|
SD |------------x-----------|
BD |x--x--x--------------x--|9 fills to learn, played 19 times: bars 1, 17, 37, 56, 64, 72 and 13 more.
It cuts the song into 49 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
160 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
226 bars, about 5:39 at the written tempo. The course breaks it into 49 exercises over 14 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 19 times: bars 1, 17, 37, 56, 64, 72 and 13 more.