178 bars of 4/4 at 117 BPM, about 6:05 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-32, hi-hat through bars 33-42, silence through bars 43-55, ride through bars 56-57, hi-hat through bars 58-73 and snare through bars 74-89, and 7 more changes after that.
The beat the song is built on is one bar, played through bars 66, 68-70 and 72, and 29 more places -- 36.1% of every bar the kit plays. Learn that one and most of the song is already under your hands.
74
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |--------x-------|
BD |x---x-x---------|6 fills to learn, played 14 times: bars 17, 33, 56, 57, 81, 83 and 8 more.
It cuts the song into 31 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
117 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 19 out of 100; the rest of the number is everything around it.
178 bars, about 6:05 at the written tempo. The course breaks it into 31 exercises over 8 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 14 times: bars 17, 33, 56, 57, 81, 83 and 8 more.