115 bars of 4/4 at 120 BPM, about 3:50 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
40 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
snare through bars 1-16, hi-hat through bars 17-40, snare through bars 41-48, hi-hat through bars 49-72, snare through bars 73-82 and toms through bars 83-87, and 4 more changes after that.
The beat the song is built on is one bar, played through bars 1-7, 9-11 and 13-16, and 5 more places -- 43.9% of every bar the kit plays. Learn that one and most of the song is already under your hands.
1
1e+a2e+a3e+a4e+a
CC |x---------------|
SD |----x-------x---|
BD |x-x---xxxxx---x-|7 fills to learn, played 13 times: bars 8, 12, 48, 72, 79, 83 and 7 more.
It cuts the song into 18 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
40 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 22 out of 100; the rest of the number is everything around it.
115 bars, about 3:50 at the written tempo. The course breaks it into 18 exercises over 6 sittings, about 23 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 13 times: bars 8, 12, 48, 72, 79, 83 and 7 more.