92 bars of 4/4 at 144 BPM, about 2:33 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
68 out of 100: demanding, mostly on the independence between the hands and the feet.
hi-hat through bars 1-18, snare through bars 19-26, ride through bars 27-28, hi-hat through bars 29-44, snare through bars 45-53 and silence through bars 54-56, and 3 more changes after that.
The beat the song is built on is one bar, played through bars 19, 21 and 23, and 10 more places -- 21.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19
1e+a2e+a3e+a4e+a
CC |x-x-x-x-x-x-x-x-|
SD |----x--x----x-x-|
BD |xxx--x--x-xx-x--|8 fills to learn, played 14 times: bars 6, 14, 18, 22, 26, 28 and 8 more.
It cuts the song into 38 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
144 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
92 bars, about 2:33 at the written tempo. The course breaks it into 38 exercises over 12 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 14 times: bars 6, 14, 18, 22, 26, 28 and 8 more.