229 bars of 4/4 at a walking 90 BPM, 10:11 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
82 out of 100. Hard, and what makes it hard is the independence between the hands and the feet.
silence through bars 1-12, snare through bars 13-37, silence through bars 38-39, hi-hat through bars 40-65, silence through bars 66-68 and kick and crashes through bars 69-71, and 12 more changes after that.
The beat the song is built on is one bar, played through bars 49-63, 97-103 and 105-120, and 1 more place -- 26.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
49
1.......2.......3.......4.......
CC |x-------------------------------|
HH |----o---o---o---o---o---o---o---|
SD |----x-------x-------x-------x---|
BD |x-------x-x---x---x-----x-x---x-|14 fills to learn, played 19 times: bars 64, 72, 80, 88, 104, 128 and 13 more.
It cuts the song into 61 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
90 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
82 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 67 out of 100; the rest of the number is everything around it.
229 bars, about 10:11 at the written tempo. The course breaks it into 61 exercises over 18 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 19 times: bars 64, 72, 80, 88, 104, 128 and 13 more.