87 bars of 4/4 at 120 BPM, about 2:54 of playing, on ride, hi-hat, snare and kick.
24 out of 100: straightforward, and the one thing to watch is the independence between the hands and the feet.
kick and crashes through bars 1-5, snare through bars 6-40, kick and crashes through bars 41-45, snare through bars 46-55, hi-hat through bars 56-60 and snare through bars 61-65, and 5 more changes after that.
The beat the song is built on is one bar, played through bars 1-5, 26-30 and 41-45, and 2 more places -- 40.2% of every bar the kit plays. Learn that one and most of the song is already under your hands.
26
1e+a2e+a3e+a4e+a
SD |----x-----------|
BD |x-----x-----x-x-|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 28 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
24 out of 100: straightforward, and the one thing to watch is the independence between the hands and the feet. The beat itself is 3 out of 100; the rest of the number is everything around it.
87 bars, about 2:54 at the written tempo. The course breaks it into 28 exercises over 7 sittings, about 26 minutes each.
ride, hi-hat, snare and kick. Nothing in the part asks for anything else.