81 bars of 4/4 at a walking 92 BPM, 3:31 of playing, on hi-hat, snare, mid tom, floor tom and kick.
52 out of 100, a step up from a first song, and the work is in how much of it falls off the beat.
silence through bars 1-13, hi-hat through bars 14-69, silence through bars 70-73 and hi-hat through bars 74-81.
The beat the song is built on is one bar, played through bars 16-24, 26-32 and 39-51, and 2 more places -- 63.5% of every bar the kit plays. Learn that one and the song is very nearly finished.
16
1e+a2e+a3e+a4e+a
HH |xxxxxxxxxxxxxxxx|
SD |--x---x---x---x-|
BD |x------------x--|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 14 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
92 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in how much of it falls off the beat. The beat itself is 50 out of 100; the rest of the number is everything around it.
81 bars, about 3:31 at the written tempo. The course breaks it into 14 exercises over 5 sittings, about 25 minutes each.
hi-hat, snare, mid tom, floor tom and kick. Nothing in the part asks for anything else.