86 bars of 4/4 at 128 BPM, about 2:41 of playing, on crash, hi-hat, snare and kick.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 3-30, silence through bars 31-34, hi-hat through bars 35-70, kick and crashes through bars 71-75 and silence through bars 76-86.
The beat the song is built on is a 2-bar phrase, played through bars 3-30, 35-44 and 47-70 -- 89.9% of every bar the kit plays. Learn that one and the song is very nearly finished.
3 4
1.....2.....3.....4..... 1.....2.....3.....4.....
HH |x-----x-----x-----x-----|x-----x-----x-----x-----|
SD |------------x-----------|------------x---------x-|
BD |x---------------------x-|x-----x---------x-------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 7 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
128 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
86 bars, about 2:41 at the written tempo. The course breaks it into 7 exercises over 2 sittings, about 26 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.