76 bars of 4/4 at a walking 81 BPM, 3:45 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
69 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-4, hi-hat through bars 5-29, snare through bars 30-44, hi-hat through bars 45-55 and snare through bars 56-76.
The beat the song is built on is a 2-bar phrase, played through bars 14-15, 28-30 and 32-34, and 3 more places -- 20.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 15
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x-x-x-x-x-x-x---|----x-x-x-x-x-x-|
HH |--------------o-|----------------|
SD |----x----x--x-x-|---------x--x---|
T2 |----------------|xxx-------------|
FT |----------------|xxx-------------|
BD |x-xx---xx--x-x--|xxx-x--xx--x---x|
HF |----------------|x---------------|4 fills to learn, played 11 times: bars 12, 16, 18, 26, 38, 42 and 5 more.
It cuts the song into 25 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
81 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
69 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
76 bars, about 3:45 at the written tempo. The course breaks it into 25 exercises over 8 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 11 times: bars 12, 16, 18, 26, 38, 42 and 5 more.