137 bars of 4/4 at 135 BPM, about 4:04 of playing, on hi-hat, snare and kick.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
hi-hat through bar 1, snare through bars 2-25, hi-hat through bars 26-73, snare through bars 74-97 and hi-hat through bars 98-137.
The beat the song is built on is a 2-bar phrase, played through bars 26-73 and 98-137 -- 64.2% of every bar the kit plays. Learn that one and the song is very nearly finished.
26 27
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-o-|x-x-x-x-x-o-x-o-|
SD |----x-------x---|----x-------x---|
BD |x-------x-x-----|x-------x-x---x-|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 9 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 42 out of 100; the rest of the number is everything around it.
137 bars, about 4:04 at the written tempo. The course breaks it into 9 exercises over 3 sittings, about 21 minutes each.
hi-hat, snare and kick. Three pieces and no more -- this one is playable on almost anything with a kick, a snare and something to keep time on.