113 bars at 179 BPM -- fast, and 2:31 of it without a break -- on crash, hi-hat, snare, kick and hi-hat foot.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 2-33, snare through bars 34-49, hi-hat through bars 50-81 and snare through bars 82-113.
The beat the song is built on is one bar, played through bars 11-24, 26-28 and 30-31, and 4 more places -- 27.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
11
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |--x-----x-x---x-|4 fills to learn, played 10 times: bars 9, 32, 33, 44, 57, 80 and 4 more.
It cuts the song into 32 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
179 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
113 bars, about 2:31 at the written tempo. The course breaks it into 32 exercises over 10 sittings, about 27 minutes each.
crash, hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.
4 fills to learn, played 10 times: bars 9, 32, 33, 44, 57, 80 and 4 more.