226 bars of 3/4 -- not four -- at 120 BPM, 5:42 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
ride through bars 3-16, kick and crashes through bars 17-19, toms through bars 20-21, ride through bars 22-24, toms through bars 25-28 and ride through bars 29-60, and 20 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 61-67, 69-71 and 73-75, and 12 more places -- 23% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
61 62
1.....2.....3..... 1.....2.....3.....
HH |x-----x-----x-----|x-----x-----x-----|
SD |------------------|x--------x--------|
BD |x-----------x--x--|------------------|12 fills to learn, played 36 times: bars 20, 21, 25, 26, 28, 35 and 30 more.
It cuts the song into 37 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 28 out of 100; the rest of the number is everything around it.
226 bars, about 5:42 at the written tempo. The course breaks it into 37 exercises over 9 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 36 times: bars 20, 21, 25, 26, 28, 35 and 30 more.