151 bars, 8:23, at 72 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
76 out of 100: demanding, mostly on how much of it falls off the beat.
silence through bars 1-6, snare through bars 7-8, hi-hat through bars 9-32, ride through bars 33-36, hi-hat through bars 37-110 and snare through bars 111-114, and 4 more changes after that.
The beat the song is built on is one bar, played through bars 9-19, 21-23 and 25-31, and 18 more places -- 68.1% of every bar the kit plays. Learn that one and the song is very nearly finished.
10
1...............2...............3...............4...............
HH |x---x---x---x---x---x---x---x---x---x---x---x---x---x---x---x---|
SD |----------------x-------------------------------x---------------|
BD |x-------x-------------------x---x-------x-------------------x---|7 fills to learn, played 12 times: bars 6, 7, 8, 20, 32, 44 and 6 more.
It cuts the song into 25 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
72 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
76 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 66 out of 100; the rest of the number is everything around it.
151 bars, about 8:23 at the written tempo. The course breaks it into 25 exercises over 10 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 12 times: bars 6, 7, 8, 20, 32, 44 and 6 more.