72 bars of 3/4 -- not four -- at 80 BPM, 2:42 of playing on ride, hi-hat, snare and kick.
13 out of 100: straightforward, and the one thing to watch is the independence between the hands and the feet.
ride through bars 1-2, silence through bars 3-18, ride through bars 19-20, silence through bars 21-32, hi-hat through bars 33-36 and ride through bars 37-38, and 3 more changes after that.
The beat the song is built on is one bar, played through bars 47-55 -- 42.9% of every bar the kit plays. Learn that one and most of the song is already under your hands.
49
1e+a2e+a3e+a
RD |x-x-x-x-x-x-|
SD |------x-----|
BD |x-----------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 6 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
80 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
13 out of 100: straightforward, and the one thing to watch is the independence between the hands and the feet. The beat itself is 17 out of 100; the rest of the number is everything around it.
72 bars, about 2:42 at the written tempo. The course breaks it into 6 exercises over 2 sittings, about 24 minutes each.
ride, hi-hat, snare and kick. Nothing in the part asks for anything else.