94 bars of 4/4 at 128 BPM, about 2:56 of playing, on hi-hat, snare, high tom, mid tom and kick.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-3, toms through bars 4-5, hi-hat through bars 6-29, toms through bars 30-31 and hi-hat through bars 32-94.
The beat the song is built on is one bar, played through bars 20, 22 and 24, and 16 more places -- 37.8% of every bar the kit plays. Learn that one and most of the song is already under your hands.
24
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
BD |----x-----x---x-|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 17 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
128 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
94 bars, about 2:56 at the written tempo. The course breaks it into 17 exercises over 6 sittings, about 23 minutes each.
hi-hat, snare, high tom, mid tom and kick. Nothing in the part asks for anything else.