74 bars of 4/4 at 127 BPM, about 2:20 of playing, on crash, hi-hat, snare, kick and hi-hat foot.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-5, hi-hat through bars 6-36, silence through bars 37-43, hi-hat through bars 44-45, snare through bars 46-47 and hi-hat through bars 48-49, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 6-12, 14-20 and 22-23, and 2 more places -- 27.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6
1e+a2e+a3e+a4e+a
HH |x-xxx-x-xxx-x-xx|
SD |----x-------x---|
BD |x---x---x---x---|3 fills to learn, played 8 times: bars 46, 48, 49, 50, 51, 59 and 2 more.
It cuts the song into 25 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
127 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 59 out of 100; the rest of the number is everything around it.
74 bars, about 2:20 at the written tempo. The course breaks it into 25 exercises over 10 sittings, about 25 minutes each.
crash, hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.
3 fills to learn, played 8 times: bars 46, 48, 49, 50, 51, 59 and 2 more.