236 bars at 160 BPM -- fast, and 5:53 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-10, hi-hat through bars 11-27, toms through bars 28-30, kick and crashes through bars 31-38, hi-hat through bars 39-50 and toms through bars 51-58, and 18 more changes after that.
The beat the song is built on is one bar, played through bars 23-25, 67 and 69, and 21 more places -- 17.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
24
1e+a2e+a3e+a4e+a
HH |x-o-x-o-x-o-x-o-|
SD |----x-------x---|
BD |x---x---x---x---|24 fills to learn, played 66 times: bars 18, 19, 20, 21, 22, 27 and 60 more.
It cuts the song into 91 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
160 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 57 out of 100; the rest of the number is everything around it.
236 bars, about 5:53 at the written tempo. The course breaks it into 91 exercises over 25 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
24 fills to learn, played 66 times: bars 18, 19, 20, 21, 22, 27 and 60 more.