106 bars of 3/4 -- not four -- at 76 BPM, 4:11 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-4, hi-hat through bars 5-38, ride through bars 39-40, hi-hat through bars 41-42, ride through bars 43-44 and hi-hat through bars 45-73, and 9 more changes after that.
The beat the song is built on is one bar, played through bars 6-7, 10-11 and 14-19, and 10 more places -- 37% of every bar the kit plays. Learn that one and most of the song is already under your hands.
6
1e+a2e+a3e+a
HH |x-x-x-x-x-x-|
SD |-g----x--g-g|
BD |x--x-x------|7 fills to learn, played 27 times: bars 20, 24, 32, 36, 38, 39 and 21 more.
It cuts the song into 26 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
76 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
106 bars, about 4:11 at the written tempo. The course breaks it into 26 exercises over 8 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 27 times: bars 20, 24, 32, 36, 38, 39 and 21 more.