372 bars at 162 BPM -- fast, and 9:00 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
kick and crashes through bars 1-12, hi-hat through bars 13-36, snare through bars 37-44, hi-hat through bars 45-48, snare through bars 49-56 and hi-hat through bars 57-60, and 20 more changes after that.
The beat the song is built on is one bar, played through bars 37-43, 49-51 and 53-55, and 32 more places -- 22.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
37
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |--------x-------|
BD |x-------------x-|28 fills to learn, played 95 times: bars 44, 46, 48, 52, 56, 58 and 89 more.
It cuts the song into 86 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
162 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 15 out of 100; the rest of the number is everything around it.
372 bars, about 9:00 at the written tempo. The course breaks it into 86 exercises over 22 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
28 fills to learn, played 95 times: bars 44, 46, 48, 52, 56, 58 and 89 more.