187 bars of 4/4 at 145 BPM, about 5:09 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
69 out of 100: demanding, mostly on the independence between the hands and the feet.
hi-hat through bars 1-4, snare through bars 5-12, silence through bars 13-16, snare through bars 17-30, hi-hat through bars 31-46 and silence through bars 47-48, and 15 more changes after that.
The beat the song is built on is one bar, played through bars 5-7, 9-10 and 17-19, and 11 more places -- 41.3% of every bar the kit plays. Learn that one and most of the song is already under your hands.
5
1...........2...........3...........4...........
CC |x-----------x-----------x-----------x-----------|
SD |------------------------x-----------------------|
BD |x--------x--------x--------------x--------x-----|11 fills to learn, played 20 times: bars 16, 20, 24, 28, 30, 38 and 14 more.
It cuts the song into 47 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
145 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
69 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
187 bars, about 5:09 at the written tempo. The course breaks it into 47 exercises over 15 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 20 times: bars 16, 20, 24, 28, 30, 38 and 14 more.