73 bars of 4/4 at 120 BPM, about 2:26 of playing, on crash, hi-hat, snare and kick.
69 out of 100: demanding, mostly on the independence between the hands and the feet.
hi-hat through bars 3-19, snare through bars 20-24, hi-hat through bars 25-41, snare through bars 42-43, hi-hat through bars 44-49 and snare through bars 50-51, and 1 more change after that.
The beat the song is built on is one bar, played through bars 13-15, 17-18 and 20-23, and 5 more places -- 33.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
13
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |--o-o-o-o-o-o-o-|
SD |--x---x---x---x-|
BD |x---xx--xx-x-x--|5 fills to learn, played 18 times: bars 3, 4, 8, 12, 16, 19 and 12 more.
It cuts the song into 24 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
69 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 61 out of 100; the rest of the number is everything around it.
73 bars, about 2:26 at the written tempo. The course breaks it into 24 exercises over 7 sittings, about 28 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.
5 fills to learn, played 18 times: bars 3, 4, 8, 12, 16, 19 and 12 more.