88 bars of 4/4 at a walking 92 BPM, 3:50 of playing, on crash, snare and hi-hat foot.
18 out of 100: straightforward, and the one thing to watch is the independence between the hands and the feet.
silence through bars 1-13 and snare through bars 14-88.
The beat the song is built on is one bar, played through bars 14-30, 32-35 and 37-74, and 2 more places -- 94.7% of every bar the kit plays. Learn that one and the song is very nearly finished.
14
1e+a2e+a3e+a4e+a
SD |----x-------x---|
HF |x-x---x-x-x-----|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 5 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
92 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
18 out of 100: straightforward, and the one thing to watch is the independence between the hands and the feet. The beat itself is 4 out of 100; the rest of the number is everything around it.
88 bars, about 3:50 at the written tempo. The course breaks it into 5 exercises over 2 sittings, about 22 minutes each.
crash, snare and hi-hat foot. Three pieces and no more -- this one is playable on almost anything with a kick, a snare and something to keep time on.