99 bars of 4/4 at 110 BPM, about 3:36 of playing, on hi-hat, snare, mid tom, floor tom and kick.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-4, hi-hat through bars 5-40, snare through bars 41-45, hi-hat through bars 46-78, snare through bars 79-81 and hi-hat through bars 82-99.
The beat the song is built on is one bar, played through bars 10-19, 21-32 and 46-50, and 1 more place -- 38.5% of every bar the kit plays. Learn that one and most of the song is already under your hands.
10
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-o-x-x-|
SD |----r-------r---|
BD |x---------x-----|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 21 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
110 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
99 bars, about 3:36 at the written tempo. The course breaks it into 21 exercises over 6 sittings, about 25 minutes each.
hi-hat, snare, mid tom, floor tom and kick. Nothing in the part asks for anything else.