207 bars at 170 BPM -- fast, and 4:54 of it without a break -- on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-4, snare through bars 5-6, hi-hat through bars 7-35, snare through bars 36-37, hi-hat through bars 38-77 and snare through bars 78-83, and 3 more changes after that.
The beat the song is built on is one bar, played through bars 33-34, 37-38 and 41-42, and 28 more places -- 31.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
72
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |----o---o---o---|
SD |--------x-------|
BD |x---------------|12 fills to learn, played 25 times: bars 7, 14, 15, 46, 47, 54 and 19 more.
It cuts the song into 52 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
170 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 19 out of 100; the rest of the number is everything around it.
207 bars, about 4:54 at the written tempo. The course breaks it into 52 exercises over 12 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 25 times: bars 7, 14, 15, 46, 47, 54 and 19 more.