97 bars of 4/4 at 150 BPM, about 2:35 of playing, on crash, snare, high tom and kick.
30 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
kick and crashes through bars 1-16, toms through bars 17-40, snare through bars 41-72, toms through bars 73-89 and silence through bars 90-97.
The beat the song is built on is one bar, played through bars 41-47, 49-71 and 89, and 1 more place -- 35.6% of every bar the kit plays. Learn that one and most of the song is already under your hands.
41
1e+a2e+a3e+a4e+a
CC |x---------------|
SD |--------x-------|
BD |x---------------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 10 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
30 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 15 out of 100; the rest of the number is everything around it.
97 bars, about 2:35 at the written tempo. The course breaks it into 10 exercises over 3 sittings, about 22 minutes each.
crash, snare, high tom and kick. Nothing in the part asks for anything else.