67 bars of 4/4 at a walking 90 BPM, 2:59 of playing, on crash, hi-hat, snare, mid tom and kick.
69 out of 100: demanding, mostly on the independence between the hands and the feet.
kick and crashes through bars 1-5, hi-hat through bars 6-21, kick and crashes through bars 22-25, hi-hat through bars 26-45, kick and crashes through bars 46-49 and hi-hat through bars 50-65, and 1 more change after that.
The beat the song is built on is one bar, played through bars 6-13, 26-33 and 43-44, and 3 more places -- 43.9% of every bar the kit plays. Learn that one and most of the song is already under your hands.
7
1.......2.......3.......4.......
CC |x-------------------------------|
HH |----o---o---o---o---o---o---o---|
SD |x-------x-------x-------x-------|
BD |x-----x-----x-------x-----x---x-|5 fills to learn, played 8 times: bars 21, 25, 35, 37, 45, 49 and 2 more.
It cuts the song into 20 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
90 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
69 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 63 out of 100; the rest of the number is everything around it.
67 bars, about 2:59 at the written tempo. The course breaks it into 20 exercises over 8 sittings, about 23 minutes each.
crash, hi-hat, snare, mid tom and kick. Nothing in the part asks for anything else.
5 fills to learn, played 8 times: bars 21, 25, 35, 37, 45, 49 and 2 more.