72 bars of 4/4 at 121 BPM, about 2:23 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
39 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-12, kick and crashes through bars 13-28, hi-hat through bars 29-48, toms through bars 49-50 and hi-hat through bars 51-72.
The beat the song is built on is one bar, played through bars 29-31, 33-35 and 37-39, and 6 more places -- 44.8% of every bar the kit plays. Learn that one and most of the song is already under your hands.
30
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----x--x----x--x|
BD |x---------x-----|8 fills to learn, played 8 times: bars 28, 32, 36, 56, 60, 64 and 2 more.
It cuts the song into 18 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
121 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
39 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 36 out of 100; the rest of the number is everything around it.
72 bars, about 2:23 at the written tempo. The course breaks it into 18 exercises over 5 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 8 times: bars 28, 32, 36, 56, 60, 64 and 2 more.