158 bars at 170 BPM -- fast, and 3:43 of it without a break -- on crash, hi-hat, snare and kick.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-38, silence through bars 39-40, hi-hat through bars 41-64, silence through bars 65-66, hi-hat through bars 67-84 and silence through bars 85-86, and 3 more changes after that.
The beat the song is built on is one bar, played through bars 1, 3-9 and 11-17, and 17 more places -- 86.1% of every bar the kit plays. Learn that one and the song is very nearly finished.
1
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |--------x-----x-|
BD |x---x-----------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 8 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
170 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
158 bars, about 3:43 at the written tempo. The course breaks it into 8 exercises over 3 sittings, about 22 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.