193 bars at 210 BPM -- fast, and 3:41 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
71 out of 100: demanding, mostly on the independence between the hands and the feet.
hi-hat through bar 1, silence through bars 2-9, hi-hat through bars 10-32, snare through bars 33-41, hi-hat through bars 42-64 and snare through bars 65-81, and 13 more changes after that.
The beat the song is built on is one bar, played through bars 42-43, 46-49 and 98-105, and 4 more places -- 9.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
42
1e+a2e+a3e+a4e+a
CC |x---x-----------|
HH |--------o-------|
SD |--x-----x---x-x-|
BD |x---x-x---x-----|20 fills to learn, played 49 times: bars 33, 37, 41, 44, 45, 52 and 43 more.
It cuts the song into 71 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
210 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
193 bars, about 3:41 at the written tempo. The course breaks it into 71 exercises over 20 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 49 times: bars 33, 37, 41, 44, 45, 52 and 43 more.