89 bars of 4/4 at a walking 90 BPM, 3:57 of playing, on crash, hi-hat, snare, kick and hi-hat foot.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-8, hi-hat through bars 9-19, silence through bars 20-30, hi-hat through bars 31-55, silence through bars 56-64 and hi-hat through bars 65-89.
The beat the song is built on is one bar, played through bars 9-18, 31-37 and 39-41, and 6 more places -- 55% of every bar the kit plays. Learn that one and most of the song is already under your hands.
9
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |--o-o-o-o-o-o-o-|
SD |----x-------x---|
BD |x-x-----x-x-----|3 fills to learn, played 4 times: bars 52, 76, 80 and 84.
It cuts the song into 16 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
90 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
89 bars, about 3:57 at the written tempo. The course breaks it into 16 exercises over 7 sittings, about 20 minutes each.
crash, hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.
3 fills to learn, played 4 times: bars 52, 76, 80 and 84.