111 bars of 4/4 at 131 BPM, about 3:23 of playing, on hi-hat, snare, floor tom and kick.
21 out of 100: straightforward, and the one thing to watch is the independence between the hands and the feet.
toms through bars 1-20, snare through bars 21-40, hi-hat through bars 41-64 and snare through bars 65-111.
The beat the song is built on is one bar, played through bars 1-20, 27-34 and 49-64, and 1 more place -- 76.6% of every bar the kit plays. Learn that one and the song is very nearly finished.
1
1e+a2e+a3e+a4e+a
FT |X---------------|
BD |x---x---x---x---|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 11 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
131 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
21 out of 100: straightforward, and the one thing to watch is the independence between the hands and the feet. The beat itself is 0 out of 100; the rest of the number is everything around it.
111 bars, about 3:23 at the written tempo. The course breaks it into 11 exercises over 3 sittings, about 27 minutes each.
hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.