276 bars of 4/4 at 110 BPM, about 9:35 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
79 out of 100: demanding, mostly on the independence between the hands and the feet.
hi-hat through bars 1-4, kick and crashes through bars 5-8, hi-hat through bars 9-28, ride through bars 29-36, hi-hat through bars 37-52 and kick and crashes through bars 53-54, and 13 more changes after that.
The beat the song is built on is one bar, played through bars 37-39, 41-43 and 45-47, and 6 more places -- 13% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
38
1e+a2e+a3e+a4e+a
HH |--o---o---o---o-|
SD |--x---x---x---x-|
BD |xxxxxxxxxxxxxxxx|26 fills to learn, played 76 times: bars 4, 5, 6, 8, 10, 11 and 70 more.
It cuts the song into 73 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
110 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
79 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
276 bars, about 9:35 at the written tempo. The course breaks it into 73 exercises over 20 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
26 fills to learn, played 76 times: bars 4, 5, 6, 8, 10, 11 and 70 more.