123 bars of 4/4 at 130 BPM, about 3:47 of playing, on crash, ride, hi-hat, snare and kick.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-18, snare through bars 19-41, hi-hat through bars 42-74, silence through bars 75-76, snare through bars 77-79 and hi-hat through bars 80-123.
The beat the song is built on is one bar, played through bars 42-63, 65-74 and 80-89, and 2 more places -- 70.9% of every bar the kit plays. Learn that one and the song is very nearly finished.
42
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x-----x---x-----|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 8 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
123 bars, about 3:47 at the written tempo. The course breaks it into 8 exercises over 3 sittings, about 20 minutes each.
crash, ride, hi-hat, snare and kick. Nothing in the part asks for anything else.