88 bars of 4/4 at a walking 98 BPM, 3:36 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-2, snare through bars 3-6, hi-hat through bars 7-15, silence through bars 16-18, hi-hat through bars 19-22 and snare through bars 23-30, and 5 more changes after that.
The beat the song is built on is one bar, played through bars 23-25, 27-29 and 45-47, and 7 more places -- 38.7% of every bar the kit plays. Learn that one and most of the song is already under your hands.
23
1e+a2e+a3e+a4e+a
CC |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x------xx-------|9 fills to learn, played 14 times: bars 2, 22, 26, 44, 48, 52 and 8 more.
It cuts the song into 28 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
98 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 22 out of 100; the rest of the number is everything around it.
88 bars, about 3:36 at the written tempo. The course breaks it into 28 exercises over 10 sittings, about 23 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 14 times: bars 2, 22, 26, 44, 48, 52 and 8 more.