99 bars of 4/4 at 135 BPM, about 2:56 of playing, on crash, hi-hat, snare, mid tom and kick.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-3, snare through bars 4-8, hi-hat through bars 9-19, snare through bars 20-31, hi-hat through bars 32-50 and snare through bars 51-92, and 1 more change after that.
The beat the song is built on is one bar, played through bars 5-8, 21-23 and 25-27, and 12 more places -- 43.8% of every bar the kit plays. Learn that one and most of the song is already under your hands.
21
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |----x--x-x--x---|
BD |x-x-----x-x---x-|3 fills to learn, played 12 times: bars 4, 17, 18, 19, 20, 51 and 6 more.
It cuts the song into 17 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
99 bars, about 2:56 at the written tempo. The course breaks it into 17 exercises over 5 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom and kick. Nothing in the part asks for anything else.
3 fills to learn, played 12 times: bars 4, 17, 18, 19, 20, 51 and 6 more.